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You will discover a complete description of Master and Commander: The Far Side of the World below:
- Original Title : Master and Commander: The Far Side of the World
- Movie title in your country : Master and Commander: The Far Side of the World
- Year of movie : 2003
- Genres of movie : Adventure,
- Status of movie : Released
- Release date of movie : 2003-11-14
- Companies of movie : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
- Countries of movie : United States of America,
- Language of movie : Français, Português, English,
- Durationof movie : 138 Min
- Average vote of movie : 6.9
- Youtube ID of movie : 4wDVf5Tkc88
- Translation of movie : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,BG,
- Actors of movie :William Mannering (Faster Doudle), Tony Dolan (Mr. Lamb), Billy Boyd (Barrent Bonden), Cpt. of Mizzentop), David Threlfall (Preserved Killick), Robert Pugh (Mr. Allen), Edward Woodall (2nd Lt. William Mowett), Ousmane Thiam (Black Bill), Richard McCabe (Mr. Higgins), Patrick Gallagher (Awkward Davies), James D'Arcy (1st Lt. Tom Pullings), Chris Larkin (Capt. Howard), John DeSantis (Padeen), Richard Pates (Williamson), Thierry Segall (French Captain), Max Pirkis (Blakeney), Bryan Dick (Joseph Nagle), George Innes (Joe Plaice), Alex Palmer (Nehemiah Slade), Lee Ingleby (Hollom), Jack Randall (Boyle), Joseph Morgan (William Warley, Max Benitz (Calamy), Russell Crowe (Captain Jack Aubrey), Paul Bettany (Dr. Stephen Maturin), Ian Mercer (Mr. Hollar), Mark Lewis Jones (Mr. Hogg)
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Master and Commander: The Far Side of the World is the most effective movie excreted by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, following a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best sound quality and finest starring actors.
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Visual Effects Supervisor : Pablo Helman, Stunt Coordinator : Doug Coleman, Novel : Patrick O'Brian, Production Design : William Sandell, Camera Operator : George Billinger III, Assistant Director : Alan B. Curtiss, Co-Producer : Bob Weinstein, Set Production Assistant : Heather Anderson, Dialect Coach : Judy Dickerson, Music Editor : Simon Leadley, Camera Operator : Matthew J. Siegel, Set Decoration : Robert Gould, Sound Re-Recording Mixer : Doug Hemphill, Property Master : Doug Harlocker, Propmaker : Bobby Mara, Line Producer : Bridget Bourke, Driver : Tom Gilhooley, Helicopter Camera : Phil Pastuhov, Post Production Supervisor : Jeffrey Harlacker, Visual Effects Producer : Helen Elswit, Dialogue Editor : Hugo Weng, Unit Publicist : Sandy O'Neill, Art Direction : Bruce Crone, Foley : Gary A. Hecker, Quality Control Supervisor : Timothy Michael Cairns, Director of Photography : Russell Boyd, Art Department Coordinator : Gerald Lehtola, Sound Recordist : Tim Gomillion, Visual Effects Producer : Stephanie Hornish, Sound Designer : Richard King, Transportation Coordinator : Russell McEntyre, Digital Intermediate : Hilda Saffari, Makeup Artist : Robin Beauchesne, Studio Teachers : Maxine Arbarbara, Art Direction : Mark W. Mansbridge, Armorer : Steve Auvenshine, I/O Supervisor : Brian Cuscino, Visual Effects Editor : Tom Barrett, Camera Operator : Don Reddy, Co-Producer : Meyer Gottlieb, Set Dressing Supervisor : Jennifer Lewicki, Standby Painter : Anthony Gaudio, Visual Effects Producer : Julia Frey, Casting : Mary Selway, Original Music Composer : Iva Davies, Co-Producer : Harvey Weinstein, Digital Effects Supervisor : David Ebner, Projection : Larry Hoki, Sound Effects Editor : Michael W. Mitchell, Visual Effects Coordinator : Kimberly Adams, Producer : Peter Weir, Gaffer : David Lee, Original Music Composer : Richard Tognetti, Producer : Duncan Henderson, Set Medic : Jeffrey D. Stevens, Production Illustrator : Daren Dochterman, Stand In : David Oliver, Production Accountant : Jen Hutchinson, Editor : Lee Smith, Hairstylist : Edith I. Amezcua, Casting : Fiona Weir, Special Effects Coordinator : Daniel Sudick, Script Supervisor : Brenda Lopez, Best Boy Electric : Rick Maddux, Original Music Composer : Christopher Gordon, Art Direction : Héctor Romero, Executive Visual Effects Producer : Blondel Aidoo, Set Designer : Bill Hiney, Electrician : Willie E. Dawkins, Production Coordinator : Andy Foster, Stunt Coordinator : Daniel W. Barringer, Video Assist Operator : Adam Barth, Hair Department Head : Yolanda Toussieng, Visual Effects Supervisor : Mitchell S. Drain, Script Supervisor : Wilma Garscadden-Gahret, Post-Production Manager : Patrick Esposito, Studio Teachers : Judith M. Brown, Assistant Art Director : Kevin Ishioka, Researcher : Brice Criswell, Set Designer : Carlos Benassini, Co-Producer : Todd Arnow, Second Unit Cinematographer : David R. Ellis, Screenplay : John Collee, Layout : Dani Morrow, Transportation Captain : Wayne Stone, Set Designer : Manuel Martínez, Stunts : Joey Anaya, Director : Peter Weir, Utility Stunts : Mitch Toles, Storyboard : David Russell, Craft Service : Orlando Chongo, Dolby Consultant : Andy Potvin, Construction Foreman : James Arrigo, Lighting Artist : Michael Sean Foley, Makeup Department Head : Edouard F. Henriques, Boom Operator : Jeffrey A. Humphreys, Grip : Chris Centrella, First Assistant Sound Editor : Linda Yeaney, Rigging Gaffer : Stephen Johnstone, Sound Re-Recording Mixer : Paul Massey, Casting Associate : Nicole Hilliard-Forde, Production Office Coordinator : Derek Jan Vermaas, Set Designer : Mark Hitchler, Location Manager : Michael John Meehan, 3D Supervisor : Christopher Bonnstetter, Leadman : Christopher Neely, Set Costumer : Javier Arrieta, Producer : Samuel Goldwyn Jr., Visual Effects Producer : Jeff Werner, First Assistant Camera : Robert Hill, Visual Effects Editor : Kosta Saric, Executive Producer : Alan B. Curtiss, Loader : Sal Alvarez, First Assistant Editor : John Lee, Still Photographer : Stephen Vaughan, Rigging Grip : Oscar Gomez, Translator : Quincy Perkins, Telecine Colorist : Eric Putz, Technical Supervisor : Brian Gee, Makeup Effects : Gabriel De Cunto, Costume Design : Wendy Stites, Camera Operator : Jamie Barber, Set Designer : Nick Navarro, Lighting Technician : Derick Pritchard, Color Timer : Jim Passon, Unit Manager : Rafael Cuervo, Costume Supervisor : Dawn Y. Line, Foley : Nancy Parker, Sequence Supervisor : Jay Cooper, Camera Operator : Guillermo Rosas, Thanks : Christopher Terrill, Set Dressing Artist : Giovanni Bianchini, Scoring Mixer : Robert Fernandez, Post Production Assistant : Sassica Francis-Bruce, Seamstress : Marcelina Barraza, Steadicam Operator : Harry K. Garvin, Visual Effects Supervisor : Stefen Fangmeier, Camera Operator : Martha Susana Ramos, Unit Production Manager : Todd Arnow, Screenplay : Peter Weir, Digital Compositors : Kathleen Beeler, Production Sound Mixer : Art Rochester, Art Direction : Marco Niro, Construction Coordinator : Gary Deaton
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